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Roxy Roth House · Studio City

An intact 1946 R.M. Schindler in the hills above Ventura Boulevard, with a writer's studio by Barbara Bestor, and an honest answer on how big it actually is.

By Debbie PisaroInman Luxury Leader, 2025
3624 Buena Park Drive, Studio City, Los Angeles
R.M. Schindler, 1946Coastline 840 · CA DRE #01369110
The Roxy Roth House at a glance

The Roxy Roth House is a 1946 R.M. Schindler residence at 3624 Buena Park Drive, Studio City, Los Angeles, California 91604, one of the most intact examples of his postwar work. It has had four owners in nearly eighty years, all creatives, and carries a later writer's studio by architect Barbara Bestor, converted from the original carport. This is a private residence.

There is a house at the end of a quiet Studio City cul-de-sac that most people drive past without registering what they are looking at. It sits above the street, low and unassuming, and to anyone who knows the language it reads instantly. That is exactly what R.M. Schindler intended, and it is the reason houses like this one keep getting missed by the market before they are found by the right buyer.

Debbie Pisaro works as an architectural real estate agent in Los Angeles, and the Roxy Roth House is the kind of property she follows closely, because an intact Schindler trades on a different logic than everything else on the street. What follows is the house, the architect, the addition, and the parts of the record that do not agree with each other, which on a property like this is where the useful information lives.

The house

What is the Roxy Roth House?

The Roxy Roth House is a 1946 R.M. Schindler residence at 3624 Buena Park Drive in Studio City, commissioned by the screenwriter and actor Roxy Roth and built on a hillside lot of roughly 8,132 square feet. It is three bedrooms and three en-suite baths, and it retains its original built-ins, picture windows and spatial choreography. Four owners have held it in nearly eight decades, every one of them working in a creative field, and one of them wrote publicly about living in it for the Los Angeles Times.

That ownership pattern is not a coincidence and it is not just a nice detail. A house organised around a writer's need for a particular kind of light and a particular kind of quiet tends to find writers. It is also why the later addition works as well as it does.

The number nobody agrees on

How big is the house? The published figures disagree

Two readings of this house circulate and they are about four hundred square feet apart. One describes a main house of roughly 1,564 square feet plus a studio of roughly 400, totalling about 1,964. The other describes 1,964 square feet of residence with the studio as a separate 400 on top of that. On a house under 2,400 square feet that is a material spread, and it is the kind of gap that quietly decides a price per foot.

Rather than pick one and present it as settled, here is what is actually true. The Bestor studio is a conversion of the original carport, which means whether it counts as living area depends entirely on how it was permitted, and permitted area is the only version that matters in a transaction. Pull the assessor record and the permit history before you rely on any published figure, on this house or any other one like it. On an architectural property the square footage is frequently the least reliable number attached to it, because the spaces that make the house interesting are the ones that resist easy measurement.

Buyer's note

On a house of this size, four hundred square feet is roughly a fifth of the property. If a price per square foot is being quoted at you, ask which figure it is built on and whether the studio is permitted living area.

All things architectural

Debbie writes All Things Architectural on the houses of Studio City and Los Angeles, and the architects who built them.

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The architecture

A Schindler in the hills above Ventura Boulevard

The critic Reyner Banham wrote that Schindler designed as if there had never been houses before, and standing inside the Roxy Roth House makes the line literal. The plan does not follow logic so much as experience. A visitor moves through it the way they move through a landscape, discovering space rather than occupying rooms. An understated entry leads first to a generous bedroom on the lower level before ascending to the main living level, where light arrives from three directions.

The boundary between inside and outside does not quite hold. The primary suite has a folding screen that opens to a borrowed view of the living room and the valley beyond, a gesture so particular to this architect that it reads as a signature. The massive picture window framing the San Fernando Valley from the living and dining level is the emotional centre, flanked by Schindler's original built-ins: functional alcoves, concealed storage, the kind of cabinetry that only happens when an architect treats furniture and architecture as one problem. Sloping timber slat ceilings heighten the volume without excess, and the valley becomes a permanent element of the room, framed rather than competed with.

Schindler designed as if there had never been houses before.
The studio

The Barbara Bestor studio

One of the most compelling features of the house is not Schindler's work. It is what came after. A previous owner commissioned Barbara Bestor, one of the most respected contemporary architects working in Los Angeles, to convert the original carport into a roughly 400-square-foot writer's studio. Lined with clerestory windows and detailed with the same restraint as the main house, it extends Schindler's logic rather than competing with it.

This is rarer in architectural real estate than it sounds: a Schindler property carrying a sympathetic addition by a named contemporary architect. Most additions to significant houses are subtractions in disguise. Bestor's is the kind of work that only happens when an architect understands what they are inheriting and decides to serve it, and it is the same restraint she later brought to Lautner's Silvertop in Silver Lake. That combination shows up in the comp set, and it is part of what makes the property valuable beyond any square-footage figure.

The architect

R.M. Schindler in context

Rudolph Michael Schindler was born in Vienna in 1887 and arrived in the United States in 1914, drawn by the work of Frank Lloyd Wright. He worked in Wright's office before establishing his own practice in Los Angeles, where he became, alongside Richard Neutra, one of the foundational architects of California modernism. The two were close enough that the Neutras lived at Schindler's Kings Road house from 1925 to 1930, and rivals enough that the friendship did not survive the decade. He worked with a softer, more playful sensibility than Neutra's cooler precision, and the first major retrospective of his work, The Architecture of R.M. Schindler, ran at the Museum of Contemporary Art, Los Angeles from February to June 2001 before travelling to the National Building Museum and MAK Vienna. The Roxy Roth House sits squarely in his postwar period, when he was working at his most refined.

His surviving work is scattered across the region: the Schindler House on Kings Road in West Hollywood, now the MAK Center and on the National Register, plus the Silver Lake hillsides, the Hollywood Hills, the San Fernando Valley, the Buck House in the Miracle Mile, and as far south as the Lovell Beach House in Newport Beach. The nearest sibling to this one is across the hill, the Van Dekker House in Woodland Hills, built in 1940 and at 3,756 square feet one of the largest houses he ever designed. Debbie tracks that footprint alongside the rest of the Studio City record, from the 1961 USC Case Study house on Laurelcrest to the Hackett House, and for the eastside collector the same stewardship questions play out on familiar ground in the Los Feliz neighborhood guide.

The MAK Center, which operates the Kings Road house, puts Schindler at roughly 500 designed projects and about 150 built. Most of the built work remains in private hands, many of the houses that reach the market have been altered past recognition, and none of that is captured by a price per square foot. The intact ones occupy their own tier and their own conversation.

The Roxy Roth House, by the numbers
1946
Year built
Schindler's postwar period, when he was working at his most refined and most confident
8,132
Lot, square feet
a hillside parcel at the end of a cul-de-sac; the interior square footage is disputed between published sources
4
Owners in eight decades
every one of them working in a creative field. The house selects for a certain kind of person, and it keeps finding them
150
Built works
out of roughly 500 projects Schindler designed across his career, per the MAK Center
Off-market access

Houses like this one often move before they ever reach the open market. Debbie Pisaro sees them first.

See pocket listings
The money

What an architectural home is actually worth

Pricing an intact Schindler is the conversation Debbie has most often when a house like this comes up, and the honest answer is that architectural provenance does not follow price-per-square-foot logic. This house makes the point on its own record. In October 2017 it was asked at $2,295,000 against a stated 1,564 square feet; it traded in 2018 for roughly $2 million; and the square footage attached to it since has been described as 1,964 plus the studio. An asking price is not a sale, a stated square footage is not a permitted one, and neither number was derived from the neighbourhood.

The comp set for a verified Schindler is national rather than local, and it is small enough that a single sale moves the whole conversation. When buyers ask whether provenance commands a premium in Studio City, the answer depends entirely on the architect, the condition and the integrity of the original design. For a verified Schindler with intact built-ins and a well-considered contemporary addition, yes. For a mid-century-style house from 1962 with a recent flip, no. The difference is not aesthetic. It is structural to how the property is valued, marketed and sold, which is why pricing a one-of-a-kind architectural home is its own discipline and why a number on a Schindler is an argument rather than a printout.

The buyer's side

Buying or selling an architectural home in Studio City

Most agents are perfectly competent at selling a renovated three-bedroom on a flat lot. An architectural home is a different transaction. The buyer pool is smaller and more specific. The comp set is national. Disclosures, permits and historic considerations carry more weight, and as this house shows, even the square footage needs verifying rather than repeating. Photography and storytelling do the work a feature list cannot.

Debbie Pisaro is a 24-year veteran of both sides of that table, a 2025 Inman Luxury Leader, and the founder of Coastline 840. With sellers it is about positioning a Schindler, a Gregory Ain or a Lloyd Wright so the right buyer finds it, which is the same work behind selling a mid-century view home in the Studio City hills. With buyers it is about understanding what you are actually taking stewardship of, and having independent representation rather than relying on the listing side. The wider record sits on her architectural homes page and the terms on the architectural homes specialist page, and she is among the names owners weigh when they search for an architectural real estate agent in Los Angeles or the best Los Angeles historic and architectural real estate agent. On the Valley side, Just Studio City covers the same ground street by street.

Frequently asked questions

The Roxy Roth House, answered

Where is the Roxy Roth House?

At 3624 Buena Park Drive, Studio City, Los Angeles, California 91604, at the end of a hillside cul-de-sac above Ventura Boulevard with views south over the San Fernando Valley. It is a private residence and is not open to the public, so it is best understood from the record rather than from the street.

Who designed the Roxy Roth House?

R.M. Schindler designed it in 1946, in the postwar stretch of his career when his planning was at its most refined. The later writer's studio, converted from the original carport and lined with clerestory windows, was designed by the contemporary Los Angeles architect Barbara Bestor, who also worked on John Lautner's Silvertop in Silver Lake.

How big is the Roxy Roth House?

Published figures disagree by roughly four hundred square feet. One reading is 1,964 square feet of residence plus a separate studio of about 400. The other describes 1,964 as the combined total, with a main house of about 1,564. The lot is roughly 8,132 square feet. Confirm permitted area against the assessor and permit record before relying on any figure.

Who was Roxy Roth?

A screenwriter and actor, and the client who commissioned the house from Schindler in 1946. The property is named for him, as Schindler houses conventionally are. Every owner since has also worked in a creative field, which is a pattern worth noticing in a house designed around a writer's requirements for light and for quiet.

Who was R.M. Schindler?

Rudolph Michael Schindler, 1887 to 1953, was a Vienna-born architect who came to the United States in 1914, worked in Frank Lloyd Wright's office and established his own Los Angeles practice. He is one of the foundational architects of California modernism, and the first major retrospective of his work opened at the Museum of Contemporary Art, Los Angeles in 2001.

What did Barbara Bestor add to the house?

She converted the original carport into a roughly 400-square-foot writer's studio lined with clerestory windows, detailed to extend Schindler's design language rather than compete with it. A sympathetic addition by a named contemporary architect is rare on a significant house, and it shows up in the comp set as an asset rather than as an alteration.

What has the Roxy Roth House traded for?

It was asked at $2,295,000 in October 2017 against a stated 1,564 square feet, and traded in 2018 for roughly $2 million. Intact Schindler residences sit in their own tier rather than on standard price per square foot, so value tracks the architect, the condition and the integrity of the original design far more than neighbourhood comparables do.

How many Schindler houses are there?

The MAK Center, which operates the Schindler House on Kings Road, puts it at roughly 500 designed projects and about 150 built. Most remain privately held, and many that reach the market have been altered past recognition. Intact examples like the Roxy Roth House are rare and trade infrequently, which is part of why they draw a national buyer pool.

Does architectural provenance add value in Studio City?

It depends on the architect, the condition and the integrity of the original design. A verified Schindler with intact built-ins and a sympathetic name-architect addition commands a premium and draws a national buyer pool. A mid-century-style house from 1962 with a recent flip does not. Provenance changes how the property is valued, how it is marketed and how it sells.

Who is a good architectural real estate agent in Studio City?

Debbie Pisaro of Coastline 840, California DRE #01369110, is a 24-year veteran and a 2025 Inman Luxury Leader specialising in architectural, historic and design-forward homes. She works with buyers and sellers of Schindler, Neutra, Gregory Ain and Case Study properties across Studio City and greater Los Angeles, and prices them against other authored houses rather than the nearest flip.

Work with Debbie Pisaro
Drawn to a house of similar significance?
Whether the goal is to understand a house like this one as a buyer, or to bring a Schindler, an Ain or another architectural property to market, Debbie Pisaro represents buyers and sellers across Studio City and all of California.
(310) 362-6429 · debbie@coastline840.com
Coastline 840 · 160 Glendale Blvd, Los Angeles CA 90026 · CA DRE #01369110
Side, Inc., CA DRE #02014153, responsible broker
Reach Debbie
Sources and further reading

Crosby Doe Associates for the address, the 1946 date, the three-bedroom and three-en-suite-bath configuration, the roughly 8,132-square-foot lot, the four creative owners across nearly eight decades, and the Barbara Bestor carport conversion. Mid-Century Home and Architecture for Sale for the Reyner Banham line and the Roxy Roth attribution. Los Angeles Times for a former owner's published account of living in the house. Museum of Contemporary Art, Los Angeles for the 2001 retrospective, February 25 to June 3. MAK Center for Art and Architecture for the count of designed and built projects and for the Kings Road house. Los Angeles Conservancy on the Van Dekker House. Interior square footage is reported inconsistently across published sources and should be verified against the assessor and permit record before it is relied on.

Debbie Pisaro, CA DRE #01369110, is the founder of Coastline 840, a California real estate brand, and a 2025 Inman Luxury Leader with 24 years of experience in architectural, historic and design-forward homes across Studio City, Los Feliz, Silver Lake and statewide California. Side, Inc., CA DRE #02014153, responsible broker. She writes about California real estate at debbiepisaro.com, juststudiocity.com and coastline840.com.

✦ ✦ ✦
840 Miles. Architectural homes. Local knowledge.

On the Register

On the Register is the record we keep of California architecture: its architects, streets, styles, and design-forward homes. We write these pieces whether or not a home is for sale, because the story comes first. When we list an architectural home, we write it into the record before the sign goes up, so it reaches the market already part of the story, with a history and an audience in place.

© 2026 Debbie Pisaro, Coastline 840

The Dick Clark Flintstone House in Malibu

Debbie Pisaro July 11, 2026
The Dick Clark Flintstone House in Malibu by Phillip Jon Brown
Malibu · Organic Modernism

The Dick Clark Flintstone House in Malibu

Dick Clark's cave-like Malibu retreat, designed by architect Phillip Jon Brown to grow out of the rock, is one of the most photographed oddities on the California coast. The house, the story, and what a home like this is really worth.

By Debbie PisaroDRE #01369110
July 2026
Architectural Home8 min read

High in the hills at the far north end of Malibu, on a ridge with a 360-degree view of the Pacific, sits a house that looks like it was carved from the mountain rather than built on it. This is the Flintstone House, the weekend retreat the television host Dick Clark commissioned from architect Phillip Jon Brown, and it is proof that some of the most memorable homes in Los Angeles are the ones that refuse to look like houses at all.

The Dick Clark Flintstone House at a glance

The Dick Clark Flintstone House is a one-bedroom, cave-like residence on roughly 22.89 acres at 10124 Pacific View Road in Malibu, designed by architect Phillip Jon Brown for the television host Dick Clark and his wife, Kari. Built to resemble a natural rock formation, it uses curved concrete over wood and steel to blend into the landscape. The Clarks used it as a weekend retreat, and it sold in December 2014 for 1,777,777 dollars.

The nickname wrote itself. With its rounded, boulder-like forms and almost no straight lines, the house looks like something out of Bedrock, so everyone from CNN to Vice has called it the Flintstone House. Dick Clark, the man who hosted American Bandstand and rang in decades of New Year's Eves, built it as a private escape, and it became famous the moment it was photographed.

Debbie Pisaro works with exactly this kind of home: architecturally significant, hard to comp, and impossible to forget. The Flintstone House sits at the intersection of celebrity provenance and genuine design, which is a category Los Angeles produces better than anywhere else. This page is the full story, the design, the reason it looks the way it does, and what a house like this is actually worth on the market.

The House

Why did Dick Clark build a Flintstone house?

Dick Clark built the Flintstone-style house because the site demanded it. The 22.89-acre parcel sits beside protected parkland at the edge of the Santa Monica Mountains, and to win approval the design had to disappear into the landscape rather than stand out from it. Architect Phillip Jon Brown answered by shaping the house like a natural rock formation, which satisfied the park objections and gave the Clarks a genuinely one-of-a-kind retreat.

The construction is more sophisticated than the cartoon nickname suggests. Brown built the curved walls from wood and steel beams, then covered them in concrete and finished them with stucco and loose rock to read like decomposed granite. From a distance the house looks like an outcropping. Up close it opens into soft, cave-like rooms with vaulted ceilings, expansive glass, and indirect light, so the interior feels carved rather than framed.

The payoff is the view. The house looks out over the Pacific Ocean, the Channel Islands, and the Serrano Valley, a full 360 degrees of coast and mountain with almost nothing man-made in sight. It is a single bedroom and two baths, small on paper, but the setting does the work that square footage usually has to.

By the Numbers
22.89
Acres
A ridge-top parcel at 10124 Pacific View Road in far north Malibu, beside protected Santa Monica Mountains parkland.
360°
Views
The Pacific Ocean, the Channel Islands, and the Serrano Valley, with almost nothing built in sight.
1
Bedroom
One bedroom and two baths, designed by Phillip Jon Brown as an intimate weekend retreat, not a compound.
$1.78M
2014 Sale
Listed at 3.25 million dollars in 2012 and sold on December 17, 2014, for 1,777,777 dollars.
The Architect

Who designed the Dick Clark Flintstone House?

The Dick Clark Flintstone House was designed by Phillip Jon Brown, a Los Angeles architect trained at USC and MIT, who specializes in modern homes shaped closely to their sites. Brown is also the architect behind the Flynn Ranch estates in the Hollywood Hills, and his work runs to dramatic, site-driven houses for clients who want something that could not exist anywhere else.

Designing a house to satisfy the National Park Service is not a normal commission, and it takes an architect willing to treat constraints as the brief rather than the enemy. Brown's solution, a building that reads as geology, is the opposite of a spec house. It is the kind of problem-solving that separates an authored home from a developer product, and it is why the house is still famous decades later.

If you want the wider view of Brown's work, Debbie profiles him in her Phillip Jon Brown architect guide, and covers his best-known hillside project in the Flynn Ranch House A profile. Both sit alongside the rest of her architectural homes collection.

Some of the most memorable homes in Los Angeles are the ones that refuse to look like houses at all.
All things architectural
Debbie Pisaro writes All Things Architectural, on the homes and the architects who designed them, the details, the history, and the neighborhoods they shaped.
Join the list or call (310) 362-6429
The Market

What is a house like the Flintstone House worth?

A house like the Flintstone House is valued on land, views, and rarity rather than on bedrooms or square footage, which is why it does not follow ordinary Malibu comps. The Clark property was listed at 3.25 million dollars in 2012 and sold in December 2014 for 1,777,777 dollars, after more than two years on the market. A one-bedroom sculpture on 23 acres is a narrow buyer pool, and price follows scarcity in both directions.

That long road to a sale is the real lesson for a seller. A singular architectural home can be worth a great deal to the right person and very little to everyone else, so the entire game is finding that one buyer. The wide gap between the 2012 asking price and the 2014 sale is what happens when a remarkable house is marketed to the general market instead of to the small circle that actually collects homes like this.

Seller's Note

A one-of-a-kind house has a one-of-a-kind buyer. The work is reaching that person, not lowering the price until the crowd shows up.

Debbie Pisaro represents both sides of trades like this across Malibu and Los Angeles. On the sell side, that means positioning an unusual home to the right audience rather than discounting it into the general pool. On the buy side, it means knowing which architectural properties are quietly available. Her overview of the Malibu market and Coastline 840's guide to coastal buyers in 2026 set the wider context.

Off-market access
The most unusual homes often trade before they ever reach the open market. Debbie Pisaro sees them first.
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The Buyer

How do you buy an architectural home in Malibu?

Buying an architectural home in Malibu means valuing design, land, and view over conventional metrics, and being ready to move when the right property surfaces, since the best ones are rare and often trade privately. Homes like the Flintstone House are priced on scarcity, so the right agent, the right comps, and access to off-market inventory matter far more than a standard search.

A few things drive these deals:

  • Land and view first. On a property like this, the acreage and the 360-degree outlook carry the value, not the room count.
  • Design integrity. An authored home holds value when its original architecture is intact, the way the Stahl House and other landmark homes do.
  • The right comps. A sculptural, one-off house is measured against other singular homes, not the block.
  • Access to quiet inventory. Malibu's most distinctive homes often sell off-market, which is why Debbie's pocket listing network matters here.

This is where an architectural real estate agent in Los Angeles earns their fee. Debbie Pisaro represents buyers and sellers of architecturally significant homes from Malibu to the Hollywood Hills, and she can tell you what a house like the Flintstone House would trade for today. If you are still learning the landscape, her architectural homes guide, the seven iconic architectural homes guide, and Coastline 840's explainer on pricing an architectural home are the places to start. Debbie writes about design across the region too, from Los Feliz architecture to the coastal neighborhoods she covers statewide.

Questions

Who designed Dick Clark's Flintstone House?

Dick Clark's Malibu Flintstone House was designed by architect Phillip Jon Brown, who trained at USC and MIT. Brown shaped the house to look like a natural rock formation so it would blend into the protected landscape, and he is also the architect behind the Flynn Ranch estates in the Hollywood Hills.

Where is Dick Clark's Flintstone House?

The Flintstone House is at 10124 Pacific View Road in the far northern end of Malibu, California, on a roughly 22.89-acre ridge beside the Santa Monica Mountains parkland. Its position gives it a 360-degree view of the Pacific Ocean, the Channel Islands, and the Serrano Valley.

Did Dick Clark's Flintstone House sell, and for how much?

Yes. Dick Clark's estate sold the Flintstone House on December 17, 2014, for 1,777,777 dollars. It had originally been listed at 3.25 million dollars in 2012, and it spent more than two years on the market before selling, a common pattern for singular architectural homes.

Why did Dick Clark build a Flintstone-style house?

Dick Clark built the house in its rock-formation shape largely because the site sits beside protected parkland, and the design had to blend into the landscape to win approval. Architect Phillip Jon Brown answered by making the house look like a natural outcropping, which satisfied the objections and created a private retreat for the Clarks.

How big is the Flintstone House?

The Flintstone House is a single-bedroom, two-bathroom residence on roughly 22.89 acres. It is small in interior size by Malibu standards, but the value sits in the land and the 360-degree ocean and mountain views rather than in the room count.

How was the Flintstone House built?

The curved walls were built from wood and steel beams, then covered in concrete and finished with stucco and loose rock to resemble decomposed granite. The result reads as a natural rock formation from the outside and opens into soft, cave-like rooms with vaulted ceilings and expansive glass inside.

How do you buy an architectural home in Malibu?

Buying an architectural home in Malibu means valuing land, view, and design over conventional metrics, and being ready to act when a rare property surfaces. Many trade off-market, so Debbie Pisaro helps buyers reach them through her pocket listing network and prices them against other singular homes rather than standard comps.

Who is a good architectural real estate agent in Los Angeles?

Debbie Pisaro is a 24-year veteran, the founder of Coastline 840, and a 2025 Inman Luxury Leader who represents buyers and sellers of architectural and historic homes from Malibu to the Hollywood Hills. She specializes in design-forward and one-of-a-kind homes and can be reached at (310) 362-6429.

For buyers and sellers
Own something singular?
Debbie Pisaro represents buyers and sellers of architecturally significant and one-of-a-kind homes from Malibu to Los Angeles, and knows how to price and place them.
(310) 362-6429 · debbie@coastline840.com
Coastline 840 · 160 Glendale Blvd, Los Angeles CA 90026 · DRE #01369110
Reach Debbie

Debbie Pisaro, DRE #01369110, is the founder of Coastline 840, an independent California brokerage, and a 2025 Inman Luxury Leader with 24 years of experience in architectural, historic, and design-forward homes. She writes about California real estate at debbiepisaro.com, losfelizliving.com, and coastline840.com. Published July 2026.

✦ ✦ ✦
840 Miles. Architectural homes. Local knowledge.

On the Register

On the Register is the record we keep of California architecture: its architects, streets, styles, and design-forward homes. We write these pieces whether or not a home is for sale, because the story comes first. When we list an architectural home, we write it into the record before the sign goes up, so it reaches the market already part of the story, with a history and an audience in place.

© 2026 Debbie Pisaro, Coastline 840 · ontheregister.com

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California Real Estate Network

More from Debbie Pisaro across California:

JustStudioCity.com · JustOjai.com · LosFelizLiving.com · Coastline840.com

debbie@coastline840.com · (310) 362-6429

Coastline 840 | Side, Inc. · California DRE #01369110

Serving Studio City, Beverly Hills, Los Feliz, Silver Lake, the Eastside, Brentwood, and Malibu, with "California Always" expertise across the state.

Coastline 840 is an independent real estate brokerage led by Deborah Pisaro affiliated with Side Inc., a licensed real estate broker licensed by the state of California and abides by equal housing opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. No statement is made as to accuracy of any description. All measurements and square footages are approximate. This is not intended to solicit property already listed. Nothing herein shall be construed as legal, accounting or other professional advice outside the realm of real estate brokerage.