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Roxy Roth House · Studio City

An intact 1946 R.M. Schindler in the hills above Ventura Boulevard, with a writer's studio by Barbara Bestor, and an honest answer on how big it actually is.

By Debbie PisaroInman Luxury Leader, 2025
3624 Buena Park Drive, Studio City, Los Angeles
R.M. Schindler, 1946Coastline 840 · CA DRE #01369110
The Roxy Roth House at a glance

The Roxy Roth House is a 1946 R.M. Schindler residence at 3624 Buena Park Drive, Studio City, Los Angeles, California 91604, one of the most intact examples of his postwar work. It has had four owners in nearly eighty years, all creatives, and carries a later writer's studio by architect Barbara Bestor, converted from the original carport. This is a private residence.

There is a house at the end of a quiet Studio City cul-de-sac that most people drive past without registering what they are looking at. It sits above the street, low and unassuming, and to anyone who knows the language it reads instantly. That is exactly what R.M. Schindler intended, and it is the reason houses like this one keep getting missed by the market before they are found by the right buyer.

Debbie Pisaro works as an architectural real estate agent in Los Angeles, and the Roxy Roth House is the kind of property she follows closely, because an intact Schindler trades on a different logic than everything else on the street. What follows is the house, the architect, the addition, and the parts of the record that do not agree with each other, which on a property like this is where the useful information lives.

The house

What is the Roxy Roth House?

The Roxy Roth House is a 1946 R.M. Schindler residence at 3624 Buena Park Drive in Studio City, commissioned by the screenwriter and actor Roxy Roth and built on a hillside lot of roughly 8,132 square feet. It is three bedrooms and three en-suite baths, and it retains its original built-ins, picture windows and spatial choreography. Four owners have held it in nearly eight decades, every one of them working in a creative field, and one of them wrote publicly about living in it for the Los Angeles Times.

That ownership pattern is not a coincidence and it is not just a nice detail. A house organised around a writer's need for a particular kind of light and a particular kind of quiet tends to find writers. It is also why the later addition works as well as it does.

The number nobody agrees on

How big is the house? The published figures disagree

Two readings of this house circulate and they are about four hundred square feet apart. One describes a main house of roughly 1,564 square feet plus a studio of roughly 400, totalling about 1,964. The other describes 1,964 square feet of residence with the studio as a separate 400 on top of that. On a house under 2,400 square feet that is a material spread, and it is the kind of gap that quietly decides a price per foot.

Rather than pick one and present it as settled, here is what is actually true. The Bestor studio is a conversion of the original carport, which means whether it counts as living area depends entirely on how it was permitted, and permitted area is the only version that matters in a transaction. Pull the assessor record and the permit history before you rely on any published figure, on this house or any other one like it. On an architectural property the square footage is frequently the least reliable number attached to it, because the spaces that make the house interesting are the ones that resist easy measurement.

Buyer's note

On a house of this size, four hundred square feet is roughly a fifth of the property. If a price per square foot is being quoted at you, ask which figure it is built on and whether the studio is permitted living area.

All things architectural

Debbie writes All Things Architectural on the houses of Studio City and Los Angeles, and the architects who built them.

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The architecture

A Schindler in the hills above Ventura Boulevard

The critic Reyner Banham wrote that Schindler designed as if there had never been houses before, and standing inside the Roxy Roth House makes the line literal. The plan does not follow logic so much as experience. A visitor moves through it the way they move through a landscape, discovering space rather than occupying rooms. An understated entry leads first to a generous bedroom on the lower level before ascending to the main living level, where light arrives from three directions.

The boundary between inside and outside does not quite hold. The primary suite has a folding screen that opens to a borrowed view of the living room and the valley beyond, a gesture so particular to this architect that it reads as a signature. The massive picture window framing the San Fernando Valley from the living and dining level is the emotional centre, flanked by Schindler's original built-ins: functional alcoves, concealed storage, the kind of cabinetry that only happens when an architect treats furniture and architecture as one problem. Sloping timber slat ceilings heighten the volume without excess, and the valley becomes a permanent element of the room, framed rather than competed with.

Schindler designed as if there had never been houses before.
The studio

The Barbara Bestor studio

One of the most compelling features of the house is not Schindler's work. It is what came after. A previous owner commissioned Barbara Bestor, one of the most respected contemporary architects working in Los Angeles, to convert the original carport into a roughly 400-square-foot writer's studio. Lined with clerestory windows and detailed with the same restraint as the main house, it extends Schindler's logic rather than competing with it.

This is rarer in architectural real estate than it sounds: a Schindler property carrying a sympathetic addition by a named contemporary architect. Most additions to significant houses are subtractions in disguise. Bestor's is the kind of work that only happens when an architect understands what they are inheriting and decides to serve it, and it is the same restraint she later brought to Lautner's Silvertop in Silver Lake. That combination shows up in the comp set, and it is part of what makes the property valuable beyond any square-footage figure.

The architect

R.M. Schindler in context

Rudolph Michael Schindler was born in Vienna in 1887 and arrived in the United States in 1914, drawn by the work of Frank Lloyd Wright. He worked in Wright's office before establishing his own practice in Los Angeles, where he became, alongside Richard Neutra, one of the foundational architects of California modernism. The two were close enough that the Neutras lived at Schindler's Kings Road house from 1925 to 1930, and rivals enough that the friendship did not survive the decade. He worked with a softer, more playful sensibility than Neutra's cooler precision, and the first major retrospective of his work, The Architecture of R.M. Schindler, ran at the Museum of Contemporary Art, Los Angeles from February to June 2001 before travelling to the National Building Museum and MAK Vienna. The Roxy Roth House sits squarely in his postwar period, when he was working at his most refined.

His surviving work is scattered across the region: the Schindler House on Kings Road in West Hollywood, now the MAK Center and on the National Register, plus the Silver Lake hillsides, the Hollywood Hills, the San Fernando Valley, the Buck House in the Miracle Mile, and as far south as the Lovell Beach House in Newport Beach. The nearest sibling to this one is across the hill, the Van Dekker House in Woodland Hills, built in 1940 and at 3,756 square feet one of the largest houses he ever designed. Debbie tracks that footprint alongside the rest of the Studio City record, from the 1961 USC Case Study house on Laurelcrest to the Hackett House, and for the eastside collector the same stewardship questions play out on familiar ground in the Los Feliz neighborhood guide.

The MAK Center, which operates the Kings Road house, puts Schindler at roughly 500 designed projects and about 150 built. Most of the built work remains in private hands, many of the houses that reach the market have been altered past recognition, and none of that is captured by a price per square foot. The intact ones occupy their own tier and their own conversation.

The Roxy Roth House, by the numbers
1946
Year built
Schindler's postwar period, when he was working at his most refined and most confident
8,132
Lot, square feet
a hillside parcel at the end of a cul-de-sac; the interior square footage is disputed between published sources
4
Owners in eight decades
every one of them working in a creative field. The house selects for a certain kind of person, and it keeps finding them
150
Built works
out of roughly 500 projects Schindler designed across his career, per the MAK Center
Off-market access

Houses like this one often move before they ever reach the open market. Debbie Pisaro sees them first.

See pocket listings
The money

What an architectural home is actually worth

Pricing an intact Schindler is the conversation Debbie has most often when a house like this comes up, and the honest answer is that architectural provenance does not follow price-per-square-foot logic. This house makes the point on its own record. In October 2017 it was asked at $2,295,000 against a stated 1,564 square feet; it traded in 2018 for roughly $2 million; and the square footage attached to it since has been described as 1,964 plus the studio. An asking price is not a sale, a stated square footage is not a permitted one, and neither number was derived from the neighbourhood.

The comp set for a verified Schindler is national rather than local, and it is small enough that a single sale moves the whole conversation. When buyers ask whether provenance commands a premium in Studio City, the answer depends entirely on the architect, the condition and the integrity of the original design. For a verified Schindler with intact built-ins and a well-considered contemporary addition, yes. For a mid-century-style house from 1962 with a recent flip, no. The difference is not aesthetic. It is structural to how the property is valued, marketed and sold, which is why pricing a one-of-a-kind architectural home is its own discipline and why a number on a Schindler is an argument rather than a printout.

The buyer's side

Buying or selling an architectural home in Studio City

Most agents are perfectly competent at selling a renovated three-bedroom on a flat lot. An architectural home is a different transaction. The buyer pool is smaller and more specific. The comp set is national. Disclosures, permits and historic considerations carry more weight, and as this house shows, even the square footage needs verifying rather than repeating. Photography and storytelling do the work a feature list cannot.

Debbie Pisaro is a 24-year veteran of both sides of that table, a 2025 Inman Luxury Leader, and the founder of Coastline 840. With sellers it is about positioning a Schindler, a Gregory Ain or a Lloyd Wright so the right buyer finds it, which is the same work behind selling a mid-century view home in the Studio City hills. With buyers it is about understanding what you are actually taking stewardship of, and having independent representation rather than relying on the listing side. The wider record sits on her architectural homes page and the terms on the architectural homes specialist page, and she is among the names owners weigh when they search for an architectural real estate agent in Los Angeles or the best Los Angeles historic and architectural real estate agent. On the Valley side, Just Studio City covers the same ground street by street.

Frequently asked questions

The Roxy Roth House, answered

Where is the Roxy Roth House?

At 3624 Buena Park Drive, Studio City, Los Angeles, California 91604, at the end of a hillside cul-de-sac above Ventura Boulevard with views south over the San Fernando Valley. It is a private residence and is not open to the public, so it is best understood from the record rather than from the street.

Who designed the Roxy Roth House?

R.M. Schindler designed it in 1946, in the postwar stretch of his career when his planning was at its most refined. The later writer's studio, converted from the original carport and lined with clerestory windows, was designed by the contemporary Los Angeles architect Barbara Bestor, who also worked on John Lautner's Silvertop in Silver Lake.

How big is the Roxy Roth House?

Published figures disagree by roughly four hundred square feet. One reading is 1,964 square feet of residence plus a separate studio of about 400. The other describes 1,964 as the combined total, with a main house of about 1,564. The lot is roughly 8,132 square feet. Confirm permitted area against the assessor and permit record before relying on any figure.

Who was Roxy Roth?

A screenwriter and actor, and the client who commissioned the house from Schindler in 1946. The property is named for him, as Schindler houses conventionally are. Every owner since has also worked in a creative field, which is a pattern worth noticing in a house designed around a writer's requirements for light and for quiet.

Who was R.M. Schindler?

Rudolph Michael Schindler, 1887 to 1953, was a Vienna-born architect who came to the United States in 1914, worked in Frank Lloyd Wright's office and established his own Los Angeles practice. He is one of the foundational architects of California modernism, and the first major retrospective of his work opened at the Museum of Contemporary Art, Los Angeles in 2001.

What did Barbara Bestor add to the house?

She converted the original carport into a roughly 400-square-foot writer's studio lined with clerestory windows, detailed to extend Schindler's design language rather than compete with it. A sympathetic addition by a named contemporary architect is rare on a significant house, and it shows up in the comp set as an asset rather than as an alteration.

What has the Roxy Roth House traded for?

It was asked at $2,295,000 in October 2017 against a stated 1,564 square feet, and traded in 2018 for roughly $2 million. Intact Schindler residences sit in their own tier rather than on standard price per square foot, so value tracks the architect, the condition and the integrity of the original design far more than neighbourhood comparables do.

How many Schindler houses are there?

The MAK Center, which operates the Schindler House on Kings Road, puts it at roughly 500 designed projects and about 150 built. Most remain privately held, and many that reach the market have been altered past recognition. Intact examples like the Roxy Roth House are rare and trade infrequently, which is part of why they draw a national buyer pool.

Does architectural provenance add value in Studio City?

It depends on the architect, the condition and the integrity of the original design. A verified Schindler with intact built-ins and a sympathetic name-architect addition commands a premium and draws a national buyer pool. A mid-century-style house from 1962 with a recent flip does not. Provenance changes how the property is valued, how it is marketed and how it sells.

Who is a good architectural real estate agent in Studio City?

Debbie Pisaro of Coastline 840, California DRE #01369110, is a 24-year veteran and a 2025 Inman Luxury Leader specialising in architectural, historic and design-forward homes. She works with buyers and sellers of Schindler, Neutra, Gregory Ain and Case Study properties across Studio City and greater Los Angeles, and prices them against other authored houses rather than the nearest flip.

Work with Debbie Pisaro
Drawn to a house of similar significance?
Whether the goal is to understand a house like this one as a buyer, or to bring a Schindler, an Ain or another architectural property to market, Debbie Pisaro represents buyers and sellers across Studio City and all of California.
(310) 362-6429 · debbie@coastline840.com
Coastline 840 · 160 Glendale Blvd, Los Angeles CA 90026 · CA DRE #01369110
Side, Inc., CA DRE #02014153, responsible broker
Reach Debbie
Sources and further reading

Crosby Doe Associates for the address, the 1946 date, the three-bedroom and three-en-suite-bath configuration, the roughly 8,132-square-foot lot, the four creative owners across nearly eight decades, and the Barbara Bestor carport conversion. Mid-Century Home and Architecture for Sale for the Reyner Banham line and the Roxy Roth attribution. Los Angeles Times for a former owner's published account of living in the house. Museum of Contemporary Art, Los Angeles for the 2001 retrospective, February 25 to June 3. MAK Center for Art and Architecture for the count of designed and built projects and for the Kings Road house. Los Angeles Conservancy on the Van Dekker House. Interior square footage is reported inconsistently across published sources and should be verified against the assessor and permit record before it is relied on.

Debbie Pisaro, CA DRE #01369110, is the founder of Coastline 840, a California real estate brand, and a 2025 Inman Luxury Leader with 24 years of experience in architectural, historic and design-forward homes across Studio City, Los Feliz, Silver Lake and statewide California. Side, Inc., CA DRE #02014153, responsible broker. She writes about California real estate at debbiepisaro.com, juststudiocity.com and coastline840.com.

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840 Miles. Architectural homes. Local knowledge.

On the Register

On the Register is the record we keep of California architecture: its architects, streets, styles, and design-forward homes. We write these pieces whether or not a home is for sale, because the story comes first. When we list an architectural home, we write it into the record before the sign goes up, so it reaches the market already part of the story, with a history and an audience in place.

© 2026 Debbie Pisaro, Coastline 840

The Millard Kaufman Residence

Debbie Pisaro July 12, 2026
Hollywood Hills · Architectural Homes

The Millard Kaufman Residence

A 1949 Richard Neutra house on Multiview Drive, with a Garrett Eckbo landscape and a screenwriter's story built into the walls.

By Debbie PisaroDRE #01369110
July 2026
Architectural Home8 min read

High on Multiview Drive, on the Hollywood side of the Cahuenga Pass, sits a low post and beam house that most people drive past without a second look. That is the point of it. The Millard Kaufman Residence does not perform from the street. It saves everything for the people who live inside it, which is exactly how Richard Neutra intended his houses to work.

The short version is a rare one. A Neutra frame, a Garrett Eckbo garden, and forty years of ownership by an Oscar nominated screenwriter who helped invent Mr. Magoo and quietly lent his name to a blacklisted friend. Debbie Pisaro has walked enough architectural homes in these hills to know that a house carrying three names this good is not a listing. It is a piece of the record.

The Millard Kaufman Residence at a glance

The Millard Kaufman Residence at 3574 Multiview Drive in the Hollywood Hills is a 1949 post and beam house designed by Richard Neutra with Alexander Ban and Josef Van der Kar, landscaped by Garrett Eckbo, and named for the Oscar nominated screenwriter Millard Kaufman, who owned it for decades.

All things architectural
Debbie Pisaro writes All Things Architectural, on the homes and the architects who designed them, the details, the history, and the neighborhoods they shaped.
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The House

Who designed the Millard Kaufman Residence?

The house was designed by Richard Neutra, working in 1949 with Alexander Ban and Josef Van der Kar, and it grew in stages over the next fifteen years rather than arriving all at once. That slow assembly is unusual, and it is a large part of why the home reads the way it does today, layered and lived in instead of frozen at a single date.

The original 1949 structure is the post and beam core: exposed wood beams, walls of glass, and a plan that runs the kitchen, living, and dining spaces together and pushes them straight out onto the deck. Neutra came back around 1954 to add the lower level, the primary suite, a workshop, and the stairway that ties the two floors together. Later work continued into the 1960s, including a studio addition and a trellis and service porch that soften the house into its slope.

What you feel standing in it is the thing Neutra chased his whole career. The glass does not frame the hillside so much as erase the line between the room and the canyon. Debbie has toured post and beam houses across the Valley and the basin, and the ones that still work this well, sixty years on, are almost always the ones with a real architect's name on the first set of drawings.

By the numbers
1949
Year Built
The original Neutra post and beam core, with additions layered in through the early 1960s.
3
Architects On Record
Richard Neutra, Alexander Ban, and Josef Van der Kar, plus a Garrett Eckbo landscape.
2,503
Square Feet
Four bedrooms and three baths, on a roughly 12,440 square foot hillside lot.
40
Years, One Owner
Screenwriter Millard Kaufman kept the house for roughly four decades until his death in 2009.

Provenance like this is the whole game on a house of this age. A Neutra frame, a documented Eckbo landscape, and a clean chain of owners are the things a new construction home on the same street can copy in feeling but never in fact. That is why Debbie Pisaro reads these houses first for their record and only second for their finishes.

The Architect

Who was Richard Neutra?

Richard Neutra was an Austrian born architect who moved to Los Angeles in the 1920s and became one of the defining figures of American modernism. His houses, from the Lovell Health House to the Kaufmann Desert House in Palm Springs, made glass, steel, and open plans feel like the natural language of Southern California living, and they still set the standard collectors chase.

Neutra believed a house should lower a person's pulse. He wrote about it directly, and he built for it: long horizontal lines, reflecting the light, spider legs reaching out to hold a beam past the wall so the roof seems to float free of the glass. On Multiview Drive you can see him doing all of it at domestic scale, on a hillside budget, for a working screenwriter rather than a millionaire client.

His Los Angeles work is well documented, and it rewards comparison. Set this house beside the Nesbitt House in Brentwood or the wider survey of Richard Neutra's Los Angeles houses and the through line is obvious. Neutra is also in good company on this stretch of the hills, where a John Lautner and the work of R.M. Schindler sit within easy reach.

Great modern houses are rarely the work of a single hand, and this one wears every hand it was built by.
The Landscape

What did Garrett Eckbo bring to the site?

Garrett Eckbo designed the grounds, and on a Neutra house that is not a footnote. Eckbo was one of the most important landscape architects of the twentieth century, a founder of modern landscape design and the author of the field's founding text, Landscape for Living. His name on the garden carries the same weight Neutra's carries on the house.

Eckbo treated a garden as another room, not a decoration around the edges of the building. At the Kaufman house that logic shows up in the way the deck, the patio and fire pit, the pool, and the planting all read as one continuous outdoor floor that the glass simply opens onto. The architecture and the landscape were designed to finish each other, which is rarer than it sounds and almost impossible to recover once it is lost.

For a hillside property, that integration is the quiet luxury. The Eckbo ground plane is why the house feels larger than its 2,503 square feet, and why standing on the deck feels like standing in the canyon rather than looking at it. Debbie Pisaro points buyers to it as a case study in how a designed landscape, not just a view, is what actually makes a modern hillside house live well.

Off-market access
Some of the best homes trade before they ever reach the open market. Debbie Pisaro sees them first.
See pocket listings
The Name

Who was Millard Kaufman?

Millard Kaufman was a two time Oscar nominated screenwriter, a co-creator of the cartoon character Mr. Magoo, and the man whose name gave this house its identity for forty years. He was nominated for Take the High Ground and for the 1955 classic Bad Day at Black Rock, and he kept working, and living here, well into his nineties.

His best story is not on any Academy list. In 1950, when the House Un-American Activities Committee had blacklisted Dalton Trumbo, Kaufman let his own name go on the screenplay for the film noir Gun Crazy so Trumbo could keep working. He was a Baltimore native and a Marine who fought at Guadalcanal and Okinawa before he ever wrote a word in Hollywood, and at ninety he published his first novel, Bowl of Cherries.

A name like that is not marketing. It is the kind of concrete, verifiable history that makes a house legible decades later, and it is the reason this profile belongs in the same shelf as Debbie's other named homes, from the Hackett House over the ridge in Studio City to the Roxy Roth House and the Stahl House.

Buyer's Note

On a provenance house, the value lives in what cannot be rebuilt: a Neutra frame, an Eckbo garden, and a chain of custody a spec home can never claim.

The Address

Is 3574 Multiview Drive in Studio City or the Hollywood Hills?

The house sits in the Hollywood Hills, in the 90068 zip code, on the Hollywood side of the Cahuenga Pass, not in Studio City proper. The confusion is understandable, because the north slope of these hills faces the San Fernando Valley and the city groups the area administratively as Studio City and Cahuenga Pass, but the home's address and every MLS record read Hollywood Hills.

The distinction matters if you are searching. Studio City proper is over the ridge on the Valley floor, in the 91604 zip. Multiview Drive climbs the pass but stays on the city side of it, which is why its architectural neighbors read as a Hollywood Hills story even though the Valley begins a short drive down the hill. If you want to see how the two connect, Debbie keeps a map of Studio City architectural homes and a companion piece on Studio City's architectural marvels that place houses like this one in context.

Either way, the person to call about a house like this is a specialist, not a generalist. Debbie Pisaro is an architectural homes specialist in Los Angeles who works these hillside modernist streets specifically, and she also serves buyers and sellers as the best real estate agent in Studio City and across Los Feliz.

Common Questions

Who designed the house at 3574 Multiview Drive?

Richard Neutra designed the original 1949 house, working with Alexander Ban and Josef Van der Kar. Neutra returned around 1954 to add the lower level and primary suite, and further additions followed into the 1960s. The landscape is by Garrett Eckbo.

Is the Millard Kaufman Residence a real Richard Neutra house?

Yes. Neutra is credited on the original 1949 design and on the mid 1950s additions. Because the house was built and expanded in stages by more than one hand, it is best described as a Neutra house that grew over time, rather than a single sealed 1949 commission.

Who was Garrett Eckbo?

Garrett Eckbo was a founder of modern landscape architecture and the author of Landscape for Living, one of the field's defining books. He designed the grounds of the Kaufman Residence, treating the garden, deck, and pool as one continuous outdoor room tied to the architecture.

Who was Millard Kaufman?

Millard Kaufman was a two time Oscar nominated screenwriter, a co-creator of Mr. Magoo, and the writer who fronted his name for blacklisted Dalton Trumbo on Gun Crazy in 1950. He owned this house for roughly forty years until his death in 2009.

Is 3574 Multiview Drive in Studio City or the Hollywood Hills?

It is in the Hollywood Hills, in the 90068 zip code on the Hollywood side of the Cahuenga Pass. Studio City proper sits over the ridge on the Valley floor in the 91604 zip. The area is sometimes marketed as Studio City adjacent because the north slope faces the Valley.

How big is the Millard Kaufman Residence?

The house is roughly 2,503 square feet with four bedrooms and three bathrooms, set on a hillside lot of about 12,440 square feet. The plan is post and beam, with an open main level that opens through glass onto a large deck and the Eckbo landscape.

What makes a Neutra house worth more than a comparable home?

Documented authorship, intact original architecture, and provenance are the drivers. A verified Neutra design with an Eckbo landscape and a known ownership history carries value that builder grade construction cannot replicate, which is why these homes are valued as scarce architectural assets, not just square footage.

Are there other Neutra or modernist homes near Multiview Drive?

Yes. The Hollywood Hills and the ridgeline above Studio City hold a dense cluster of modernist work, including houses attributed to John Lautner and R.M. Schindler within a short distance. Debbie Pisaro maps and tracks these architectural homes across the area.

Who is a good real estate agent for architectural homes in Los Angeles?

Debbie Pisaro is a 24 year veteran, founder of Coastline 840, and a 2025 Inman Luxury Leader who specializes in architectural, historic, and design forward homes across Studio City, the Hollywood Hills, and the wider Los Angeles market, representing both buyers and sellers.

For buyers and sellers
Work with Debbie Pisaro
Whether you are buying or selling a Neutra, an Eckbo landscape, or any architecturally significant home in the Hollywood Hills or Studio City, Debbie Pisaro reads it for its record first.
(310) 362-6429 · debbie@coastline840.com
Coastline 840 · 160 Glendale Blvd, Los Angeles CA 90026 · DRE #01369110
Reach Debbie

Debbie Pisaro, DRE #01369110, is the founder of Coastline 840, an independent California brokerage, and a 2025 Inman Luxury Leader with 24 years of experience in architectural, historic, and design-forward homes. She writes about California real estate at debbiepisaro.com, losfelizliving.com, and coastline840.com. Published July 2026.

Sources

Dwell, Millard Kaufman Residence; the owner's restoration record at michaellafetra.com; property listing history via HOUS.; Richard Neutra and Millard Kaufman biographical record. Construction dates for the post 1949 additions vary by source and are described here as documented.

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840 Miles. Architectural homes. Local knowledge.

On the Register

On the Register is the record we keep of California architecture: its architects, streets, styles, and design-forward homes. We write these pieces whether or not a home is for sale, because the story comes first. When we list an architectural home, we write it into the record before the sign goes up, so it reaches the market already part of the story, with a history and an audience in place.

© 2026 Debbie Pisaro, Coastline 840 · ontheregister.com

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Coastline 840 | Side, Inc. · California DRE #01369110

Serving Studio City, Beverly Hills, Los Feliz, Silver Lake, the Eastside, Brentwood, and Malibu, with "California Always" expertise across the state.

Coastline 840 is an independent real estate brokerage led by Deborah Pisaro affiliated with Side Inc., a licensed real estate broker licensed by the state of California and abides by equal housing opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. No statement is made as to accuracy of any description. All measurements and square footages are approximate. This is not intended to solicit property already listed. Nothing herein shall be construed as legal, accounting or other professional advice outside the realm of real estate brokerage.